Licht als Inspirationen
rund ums Licht:
Lighting-Design, Lichtkunst, Lichtobjekte... als Inspirationsquelle.
Licht als Inspirationen
ZoomInfo
luminarystudies:

The Cloud
Interactive lamp and speaker system created by Richard Clarkson
luminarystudies:

The Cloud
Interactive lamp and speaker system created by Richard Clarkson
luminarystudies:

The Cloud
Interactive lamp and speaker system created by Richard Clarkson
luminarystudies:

The Cloud
Interactive lamp and speaker system created by Richard Clarkson
ZoomInfo
callisparrow:

A selection of Genesis live shows through the years.
It’s amazing what they did with just a few light tricks.  Look at the show from 1981 as all the lights sweep to one focal point.  It’s gorgeous.  I may be a bit of an old fart, but I much prefer these “simple” light displays to the ones with too many CG visuals on a giant screen behind the performers.  I mean having a big screen is fine, but I get tired of constant irrelevant visuals pasted up there when all I really want to see is the band (the 1992 show did some digital screen stuff, but even it wasn’t as intrusive somehow).
callisparrow:

A selection of Genesis live shows through the years.
It’s amazing what they did with just a few light tricks.  Look at the show from 1981 as all the lights sweep to one focal point.  It’s gorgeous.  I may be a bit of an old fart, but I much prefer these “simple” light displays to the ones with too many CG visuals on a giant screen behind the performers.  I mean having a big screen is fine, but I get tired of constant irrelevant visuals pasted up there when all I really want to see is the band (the 1992 show did some digital screen stuff, but even it wasn’t as intrusive somehow).
callisparrow:

A selection of Genesis live shows through the years.
It’s amazing what they did with just a few light tricks.  Look at the show from 1981 as all the lights sweep to one focal point.  It’s gorgeous.  I may be a bit of an old fart, but I much prefer these “simple” light displays to the ones with too many CG visuals on a giant screen behind the performers.  I mean having a big screen is fine, but I get tired of constant irrelevant visuals pasted up there when all I really want to see is the band (the 1992 show did some digital screen stuff, but even it wasn’t as intrusive somehow).
callisparrow:

A selection of Genesis live shows through the years.
It’s amazing what they did with just a few light tricks.  Look at the show from 1981 as all the lights sweep to one focal point.  It’s gorgeous.  I may be a bit of an old fart, but I much prefer these “simple” light displays to the ones with too many CG visuals on a giant screen behind the performers.  I mean having a big screen is fine, but I get tired of constant irrelevant visuals pasted up there when all I really want to see is the band (the 1992 show did some digital screen stuff, but even it wasn’t as intrusive somehow).
callisparrow:

A selection of Genesis live shows through the years.
It’s amazing what they did with just a few light tricks.  Look at the show from 1981 as all the lights sweep to one focal point.  It’s gorgeous.  I may be a bit of an old fart, but I much prefer these “simple” light displays to the ones with too many CG visuals on a giant screen behind the performers.  I mean having a big screen is fine, but I get tired of constant irrelevant visuals pasted up there when all I really want to see is the band (the 1992 show did some digital screen stuff, but even it wasn’t as intrusive somehow).
callisparrow:

A selection of Genesis live shows through the years.
It’s amazing what they did with just a few light tricks.  Look at the show from 1981 as all the lights sweep to one focal point.  It’s gorgeous.  I may be a bit of an old fart, but I much prefer these “simple” light displays to the ones with too many CG visuals on a giant screen behind the performers.  I mean having a big screen is fine, but I get tired of constant irrelevant visuals pasted up there when all I really want to see is the band (the 1992 show did some digital screen stuff, but even it wasn’t as intrusive somehow).
callisparrow:

A selection of Genesis live shows through the years.
It’s amazing what they did with just a few light tricks.  Look at the show from 1981 as all the lights sweep to one focal point.  It’s gorgeous.  I may be a bit of an old fart, but I much prefer these “simple” light displays to the ones with too many CG visuals on a giant screen behind the performers.  I mean having a big screen is fine, but I get tired of constant irrelevant visuals pasted up there when all I really want to see is the band (the 1992 show did some digital screen stuff, but even it wasn’t as intrusive somehow).
callisparrow:

A selection of Genesis live shows through the years.
It’s amazing what they did with just a few light tricks.  Look at the show from 1981 as all the lights sweep to one focal point.  It’s gorgeous.  I may be a bit of an old fart, but I much prefer these “simple” light displays to the ones with too many CG visuals on a giant screen behind the performers.  I mean having a big screen is fine, but I get tired of constant irrelevant visuals pasted up there when all I really want to see is the band (the 1992 show did some digital screen stuff, but even it wasn’t as intrusive somehow).
ZoomInfo
tulipnight:


"Night is on the Way" by wolfgangfoto on Flickr.
tulipnight:


"Night is on the Way" by wolfgangfoto on Flickr.
tulipnight:


"Night is on the Way" by wolfgangfoto on Flickr.
ZoomInfo
iamchicago:

A few photos of my work for the opening acts of last night’s show with David Guetta.
iamchicago:

A few photos of my work for the opening acts of last night’s show with David Guetta.
iamchicago:

A few photos of my work for the opening acts of last night’s show with David Guetta.
ZoomInfo
instructables:

Hanging Paper Lamp by acoens
instructables:

Hanging Paper Lamp by acoens
instructables:

Hanging Paper Lamp by acoens
instructables:

Hanging Paper Lamp by acoens
ZoomInfo
iamchicago:

We supplied the rig for a one-off with Third Eye Blind at House of Blues Chicago. LD Mitchell Schellenger.
iamchicago:

We supplied the rig for a one-off with Third Eye Blind at House of Blues Chicago. LD Mitchell Schellenger.
iamchicago:

We supplied the rig for a one-off with Third Eye Blind at House of Blues Chicago. LD Mitchell Schellenger.
iamchicago:

We supplied the rig for a one-off with Third Eye Blind at House of Blues Chicago. LD Mitchell Schellenger.
ZoomInfo
everythingscenic:

scenicdesign:

"Macbeth" @ The Park Avenue Armory
Christopher Oram

This looks phenomenal.
everythingscenic:

scenicdesign:

"Macbeth" @ The Park Avenue Armory
Christopher Oram

This looks phenomenal.
everythingscenic:

scenicdesign:

"Macbeth" @ The Park Avenue Armory
Christopher Oram

This looks phenomenal.
everythingscenic:

scenicdesign:

"Macbeth" @ The Park Avenue Armory
Christopher Oram

This looks phenomenal.
everythingscenic:

scenicdesign:

"Macbeth" @ The Park Avenue Armory
Christopher Oram

This looks phenomenal.
everythingscenic:

scenicdesign:

"Macbeth" @ The Park Avenue Armory
Christopher Oram

This looks phenomenal.
ZoomInfo
7knotwind:

We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light.
—Plato
BANKS VIOLETTEMARTIN BOYCEBRIGITTE KOWANZ HITOSHI KURIYAMAIVAN NAVARRODAN FLAVINSPENCER FINCHFELIX GONZALES-TORRESTERESITA FERNANDEZANTHONY MCCALL
7knotwind:

We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light.
—Plato
BANKS VIOLETTEMARTIN BOYCEBRIGITTE KOWANZ HITOSHI KURIYAMAIVAN NAVARRODAN FLAVINSPENCER FINCHFELIX GONZALES-TORRESTERESITA FERNANDEZANTHONY MCCALL
7knotwind:

We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light.
—Plato
BANKS VIOLETTEMARTIN BOYCEBRIGITTE KOWANZ HITOSHI KURIYAMAIVAN NAVARRODAN FLAVINSPENCER FINCHFELIX GONZALES-TORRESTERESITA FERNANDEZANTHONY MCCALL
7knotwind:

We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light.
—Plato
BANKS VIOLETTEMARTIN BOYCEBRIGITTE KOWANZ HITOSHI KURIYAMAIVAN NAVARRODAN FLAVINSPENCER FINCHFELIX GONZALES-TORRESTERESITA FERNANDEZANTHONY MCCALL
7knotwind:

We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light.
—Plato
BANKS VIOLETTEMARTIN BOYCEBRIGITTE KOWANZ HITOSHI KURIYAMAIVAN NAVARRODAN FLAVINSPENCER FINCHFELIX GONZALES-TORRESTERESITA FERNANDEZANTHONY MCCALL
7knotwind:

We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light.
—Plato
BANKS VIOLETTEMARTIN BOYCEBRIGITTE KOWANZ HITOSHI KURIYAMAIVAN NAVARRODAN FLAVINSPENCER FINCHFELIX GONZALES-TORRESTERESITA FERNANDEZANTHONY MCCALL
7knotwind:

We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light.
—Plato
BANKS VIOLETTEMARTIN BOYCEBRIGITTE KOWANZ HITOSHI KURIYAMAIVAN NAVARRODAN FLAVINSPENCER FINCHFELIX GONZALES-TORRESTERESITA FERNANDEZANTHONY MCCALL
7knotwind:

We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light.
—Plato
BANKS VIOLETTEMARTIN BOYCEBRIGITTE KOWANZ HITOSHI KURIYAMAIVAN NAVARRODAN FLAVINSPENCER FINCHFELIX GONZALES-TORRESTERESITA FERNANDEZANTHONY MCCALL
7knotwind:

We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light.
—Plato
BANKS VIOLETTEMARTIN BOYCEBRIGITTE KOWANZ HITOSHI KURIYAMAIVAN NAVARRODAN FLAVINSPENCER FINCHFELIX GONZALES-TORRESTERESITA FERNANDEZANTHONY MCCALL
7knotwind:

We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light.
—Plato
BANKS VIOLETTEMARTIN BOYCEBRIGITTE KOWANZ HITOSHI KURIYAMAIVAN NAVARRODAN FLAVINSPENCER FINCHFELIX GONZALES-TORRESTERESITA FERNANDEZANTHONY MCCALL
ZoomInfo
everythingscenic:

A Midsummer Night’s Dream. Jason Sherwood.
everythingscenic:

A Midsummer Night’s Dream. Jason Sherwood.
everythingscenic:

A Midsummer Night’s Dream. Jason Sherwood.
everythingscenic:

A Midsummer Night’s Dream. Jason Sherwood.
ZoomInfo
just-art:

Traffic lights by Lucas Zimmermann

Outdoor
just-art:

Traffic lights by Lucas Zimmermann

Outdoor
just-art:

Traffic lights by Lucas Zimmermann

Outdoor
just-art:

Traffic lights by Lucas Zimmermann

Outdoor
ZoomInfo
leebarguss:

ABSTRACT SEASCAPES (by Jan Erik Waider)
leebarguss:

ABSTRACT SEASCAPES (by Jan Erik Waider)
leebarguss:

ABSTRACT SEASCAPES (by Jan Erik Waider)
leebarguss:

ABSTRACT SEASCAPES (by Jan Erik Waider)
leebarguss:

ABSTRACT SEASCAPES (by Jan Erik Waider)
leebarguss:

ABSTRACT SEASCAPES (by Jan Erik Waider)
leebarguss:

ABSTRACT SEASCAPES (by Jan Erik Waider)
leebarguss:

ABSTRACT SEASCAPES (by Jan Erik Waider)
ZoomInfo



Long exposure, 3 traffic lights in the fog.

Wow

Such light